My artwork of the last decade has been a continuing dialog with the natural sciences. My hope is that the work explores the inherent basis of the human need for nature. This need was coined biophilia by E.O. Wilson. Wilson defines biophilia as the innately emotional affiliation of human beings to other living things. I believe that we live in a time in which it is highly critical to promote our respect for, and redefine the delicate relationship to, the many living things on our planet. I have chosen moths to study and create work from because of their diversity (approx. 14,000 species found in the United States) and their rich mythology in history. They are also a family of insects that most people know so little about, both visually and environmentally. A goal of my artwork is to bring this information to a diverse audience who may not normally be aware of, or come in contact with the beauty and diversity of moths.
I started with the insect pieces as collages, but I soon stripped them of that kind of formal complexity and left the insects alone, arranged on a page. Digital scanning technology allows for the examination of the insects at a very high resolution. This creates an effect of hyper-real vision where it becomes possible to see structures of the insect that the naked eye cannot discern. This process results in the making of images that have their own inherent techno-visual qualities that differs from photography. There is an incredible reality that we are now able to see that reveals the beauty along with the monstrosity of moths with all their preposterous hair and scales. Their beauty becomes a totally different kind - a sort of repulsive, disquieting beauty. These images may be of insects half a centimeter long that become 3' by 4' when enlarged and printed.
Scheer has been a visiting artist at Loughborough College of Art in Loughborough, England and has had artist residencies at Cité des Arts, Paris, France, The Experimental Television Center, Owego, New York and in Lucerne Switzerland.