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Language & Logic
Surgical Handcraft



'Library of the Infinitesimally Small and Unimaginably Large' is an ongoing project that started in 2011. The altered books are made from found books, particularly old books of maps and atlases. The books become both reference and raw material for sculptures, paper installations and digital animation. The books, sentences, words and letters become elements of a new visual narrative in which the old and new forms co-exist. Through the act of altering books and other paper based objects the intention is to draw emphasis to our understanding of history as mediated through text or language and our understanding of the abstract terms of science through metaphor.





Barbara Wildenboer has participated in several group exhibitions and art fairs both nationally and internationally, including South Africa, San Francisco, Dubai and Hong Kong. In 2013 she had her 7th solo exhibition entitled Disjecta Membra at Amelia Johnson Contemporary in Hong Kong. Her latest body of work entitled The Lotus Eaters, opened at The Reservoir at the Oliewenhuis Art Museum in Bloemfontein in 2014 and subsequently toured South Africa. She has been awarded several international residencies such as the Unesco-Aschberg residency (Jordan, 2006), the Al Mahatta residency (Palestine, 2009) and the Red De Residencias Artisticas Local (Colombia, 2011) and the Rimbun Dahan artist residency (Penang, Malaysia, 2013). In 2011 she was nominated and subsequently selected as one of the top 20 finalists for the Sovereign African Arts Award for which she received the Public Choice Prize. Wildenboer lives and works in Cape Town, South Africa. She obtained a Masters in Fine Art (with distinction) from the Michaelis School of Art at the University of Cape Town in 2007. Before that she completed a BA (Ed) with majors in English literature, Psychology and Pedagogics at the University of Pretoria in 1996 followed by a Bachelor of Visual Arts from UNISA.

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